The binding on the cover of this catalogue served as
frontispiece to
William Loring Andrews':
Jean Grolier de
Servier, Viscount d'Aguisy. Some Account of his Life and of his
Famous Library (New York, 1892).
Writing of Grolier in
general and this book in particular, he states, "the prices
brought by books from Grolier's library when first
offered for sale—and for many years thereafter—were
far from excessive; in fact, they were extremely moderate
. . . the price per volume (at Count Hoym's sale in 1769)
rarely exceeded twenty francs.
"(However) the enhancement in price since the middle
of this century has been rapid. £300 was the highest price
realized at the Duke of Hamilton's sale in 1883; but at
the Techener sale, in 1887, 12,000 francs was paid for
the Heliodori AEthiopicae Historiae—American competition
then making its appearance as an important
factor for the first time. Undoubtedly the establishment
of the Grolier Club in New York three years previously
influenced prices at this sale, for members of that organization
outbid the French collectors for all the choicest
numbers.
"Grolier's copy of Heliodorus, of which a reproduction is
given, belonged formerly to the library of Balesdens, and
has passed through the well-known Libri and Double
collections, selling for 2650 francs in the Libri sale, and
for 3505 francs in the Double sale. The decoration is
elaborate and beautiful in the extreme, and it is undeniably
one of the finest examples in existence, not
excepting those in the great Paris libraries."
It was acquired by Robert Hoe and sold in his sale, 1911,
for $5500, then and for a long time to come, the record
price for a Grolier binding.
The Lilly Library's other Grolier is his dedication copy,
of the first Aldine edition of
Terence (Venice,
1517), a
book, says Dibdin, "of very extraordinary rarity. The
Grolier copy of it, in the most beautiful condition and
binding was sold at Mr. Croft's sale (1783) for £7. 10s.
The purchaser was the late Sir John Thorold." Andrews
reproduces the dedication page with the initial capital,
"Q," in gold. Sir John rebound it!
"Few [excoriates William Loring Andrews] have violated
good taste to the extent of the Syston Park collector,
whose coarse design of an admiralty anchor defaces so
many of the beautiful bindings which unfortunately fell
into his possession. We are at a loss which to criticize
more unsparingly—Sir John Thorold, or his binder of
unenviable notoriety, R. Storrs of Grantham, who appears
to have bound books, not by any rules of taste or
with any knowledge of his craft, but simply by main
force . . . The Syston Park anchor in gold is surrounded
by a coil of rope heavy and stout enough to warp an
ocean steamship into her dock.
Funds for the publication of this Catalogue were donated by a friend of the University.
Preface
The first influential list of "One Hundred
Books" was compiled by Sir John Lubbock
(later Right Hon. Lord Avebury, P.C.) as
Chapter IV, "The Choice of Books," in his
charming series of essays, The Pleasures of Life
(London, 1887).
Quoting from the 1921 edition, Sir John wrote:
Our ancestors had great difficulty in procuring
books. Ours now is what to select. We must be
careful what we read, and not, like the sailors of
Ulysses, take bags of wind for sacks of treasure . . .
lest, as too often happens, we should waste time
over trash. . . .
I have often wished some one would recommend
a list of a hundred good books. If we had such lists
drawn up by a few good guides they would be
most useful. . . .
In the absence of such lists I have picked out
the books most frequently mentioned with approval
by those who have referred directly or indirectly
to the pleasure of reading, and have ventured
to include some which, though less frequently
mentioned, are especial favourites of my
own. . . .
I have abstained, for obvious reasons, from
mentioning works by living authors . . . and I have
omitted works on science, with one or two exceptions,
because the subject is so progressive.
Sir John's famous list, which was first delivered
as a lecture to the London Working
Men's College, started a trend. Contemporary
interest was so great that the London Pall
Mall Gazette issued as "Extra" No. 24, "The
Best Hundred Books by the Best Judges. "
Contributors included Lord Bryce, John
Ruskin, and Wilkie Collins. Soon other
"Hundred" lists were compiled by Lord
Acton and Mr. Shorter. Sir John was not impressed.
In the Preface to his latest edition
available to me (London,
1921, "41st Edition
—273rd Thousand"), he states: "Neither Lord
Acton nor Mr. Shorter has convinced me that
I should drop any of the books from my list."
Mr. Shorter's list is condemned because "it is
too light, too merely amusing . . . . He prefers
Rasselas to Molière and finds a place for
Rousseau's Confessions, Boccaccio, and Tom
Jones."
Admitting Lord Acton's list does not suffer
from levity, he complains that, though "of
sterling worth, some [inclusions] seem to me
too technical, some too special."
Modern taste would seem to agree with
this, considering that Lord Acton includes
Mignet's Négociations Relatives a la Succession
d'Espagna, Carte's Histoire du Mouvement Religieux
dans le Canton de Vaud, Schneckenburger's
Vergleichende Darstellung, Hundeshagen's
Kirchenverfassungsgeschichte,
and similar reading. I
had imagined until recently that it was from
reading of this nature that Acton drew his
famous statement: "Power corrupts and absolute
power corrupts absolutely." But that
was an earlier Acton.
Still, there is on Sir John's list at least one
work, St. Hilaire's Le Bouddha et sa religion,
which is not in one library I know of which
has over a million and a half volumes, in any
edition. Sir John's list is overloaded with
Orientalia, and who today reads Samuel
Smiles? Also, he fudged a little in his hundred
on the works of Scott "which indeed, constitute
a library in themselves, but which I must
ask, in return for my trouble, to be allowed,
as a special favour, to count as one."
He was a man of strong convictions. He
lists Smith's Wealth of Nations, "part of";
Plato's Dialogues, "at any rate, the Apology,
Crito, and Phaedo," and adds that, though
he includes the Sheking and the
Analects of
Confucius for their influence, "I must humbly
confess I do not greatly admire either. . . . I
may add that both works are quite short."
So far as I know, he made only two changes
in his original list. In 1890 he added Kālidāsa's
Sakuntala and Schiller's William Tell,
"omitting, in consequence, Lucretius and
Miss Austen: Lucretius because, though his
work is most remarkable, it is perhaps too
difficult and therefore less generally suitable
than most of the others on the list; and Miss
Austen because English novelists were somewhat
overrepresented." Ten were included.
List-makers of the "Best," "Good," "Influential,"
etc. still continue, one of the latest
being by Somerset Maugham, and their
compilers include such figures as Arnold
Bennett and Sir Winston Churchill.
These lists were aimed, primarily, at self-education;
remember Eliot's "Harvard Five
Foot Shelf" (fifteen minutes reading a day
equals a college education)? His list, by the
way, admitted but one novel, Alessandro
Manzois' I Promissi Sposi,
(Milan, 1825). The
Grolier exhibition of One Hundred Books Famous
in English Literature (New York,
1903),
was not of this ilk. Nor was it intended to be
a guide to collectors in the sense that A. Edward
Newton's One Hundred Good Novels certainly
was. A private exhibition, put on
purely for the pleasure of the members, it
was not planned as a collector's Vade Mecum.
Its influence, however, was considerable;
whether for good or evil is moot and will not
be argued here. To the degree that it stereotyped
collecting habits, it was bad . But it was
also a catalyst, stimulating many who might
not else have collected at all, or at least as
ardently. Mr. Lilly was one of these, though
his interests rapidly widened. He acquired
ninety-four per cent of the Grolier Hundred,
ninety-nine per cent of Newton's. He is also
the only collector I know of to have the
temerity to tackle that distillation of all lists—Asa
Don Dickinson's One Thousand Best Books.
Acquiring them in first editions, in their
original languages, he was within sighting
distance of ninety per cent completion when
he retired from "this book-collecting game."
It seems unlikely that the members viewing
the original exhibit on the Club's premises,
then at 29 East 32nd Street, could possibly
conceive of its reconstruction here, six decades
later and nine hundred miles west. Nor could
they have imagined the Club's migrating to
Cincinnati, Ohio; Lexington, Kentucky;
Bloomington, Indiana; and Ann Arbor,
Michigan, to visit rare book libraries. There
were, at that time, very few books west of the
Hudson worth their getting their feet wet to
examine.
Yet, as John T. Winterich says in his Informal
History of the Club: "The Founders
were men alike of vision and of affairs; they
had some conception of the potentialities of
their city and, very likely, of their Club." He
also notes (how truly), "Bookmen long to
go on pilgrimages, provided there are suitable
shrines."
The present exhibition, based, of course, on
J. K. Lilly's ninety-four per cent completion
of the "100," has been generously fleshed out
by the loans of many friends.
Though the exhibition misses perfection by
one per cent, this is somewhat offset by the
inclusion of a number of books earlier than
those in the original show. That contained
Howard's Songes and Sonettes in the
1567 edition.
We are privileged to display two variant
editions of 1559, one Walpole's, the other
Bishop Percy's. Of Lyly's Euphues, they had
the edition of 1581: here is that and a unique
one of 1580. Their
Lyrical Ballads was London;
our exhibit has two variants of the Bristol
issue. And there are many other such examples.
These books were not in the original
Grolier show simply because there were probably
none in America at that time, a vivid
example of the rapid growth of our literary
resources.
In the notes which follow, original publication
in America is recorded when known.
The census of known copies, occasionally
given, is from standard sources and. probably
already obsolete. The cooperation of Grolier
members, and others, and of Yale, Harvard,
the University of Virginia, the Boston Public
Library, and the American Antiquarian Society
in lending their books for this occasion
is warmly appreciated.
A few books arrived too late to be fully
described, printers' dead lines being what
they are. The undersigned would like to express
his gratitude for the help given him by
the Lilly staff, and especially Keith C. Kern
and John A. Neu, Lilly Fellows, in the preparation
of this catalogue.
All books not otherwise located are from
J. K. Lilly, Jr.'s own collection.
David A. Randall
Lilly Librarian
1.
GEOFFREY CHAUCER
The Canterbury Tales.
(Westminster,
William Caxton,
c. 1478).
(a) 356 of 374 leaves. Folio, full morocco by Riviere. 11 ³⁄₁₆ x 8 inches, the largest
(though only slightly) measurements recorded. The Heber-Bright-Ashburnham-Bennett-Pierpont
Morgan-Poole copy. Of twelve copies recorded, there are three others in American libraries:
Folger, Huntington, and Morgan and one privately owned—all imperfect. In England only
the British Museum and Oxford are perfect.
Lilly Library call number:
PR1865 1478 Vault
(b) (Westminster,
William Caxton,
c. 1484).
234 of 312 leaves. Second (first illustrated) edition. Folio, full calf, restored by the
Lakeside Press. 10 ½ x 7 ½ inches. The St. Martin's-le-grand-Ashburnham-Fitzwilliam-Bell-Poole
copy. The only other copies in America are the Morgan, Yale, and one privately owned,
all imperfect.
Lilly Library call number:
PR1865 1484 Vault
(c) (London,
Richard Pynson,
c. 1490-92).
238 of 323 leaves. Third (first London) edition. Folio, full modern morocco by the
Lakeside Press. 9 ¾ x 6 inches. This, the Poole copy, is one of six in America.
Lilly Library call number:
PR1865 1492 Vault
On November 8, 1962, the Lilly Library sold at the Parke-Bernet Galleries a selection of its duplicates
in the hope that, as President Elvis J. Stahr, jr. stated in the foreword: ". . .disposing of these
books will serve to advance the art of book collecting. Many college and university libraries count great
resources today because of the generosity of the book collector and the labor of the bookseller. This
sale
is a slight recompense to that noble fraternity." At this sale Lot 18 was the Lilly duplicate of the first
Canterbury Tales, formerly the E. V. Utterson-Michael-Tomkinson-Frank J. Hogan copy. 290 leaves (of 374),
it brought $47,500, as against $13,000 in the Hogan sale, 1945.
First printing in America, New York, 1855.
5.
WILLIAM LANGLAND
The Vision of Pierce Plowman.
(London,
1550).
(a) Quarto, full blue morocco by Riviere. 7 ⅜ x 4 ⅞ inches. With the Miller arms on the side and
the seventeenth-century bookplate of Thomas Barrett of Lee, which closely resembles that of C.
Waller Barrett.
First of the three editions published in 1550. The date
1505 on the title
page is an error, corrected in ink in this copy. Of the other two editions of
1550, one reads "seconde time"
in the title, the other "second tyme." Precedence has not been established, although Hayward
(
English Poetry Catalogue) says the "time" reading "is perhaps the earlier of the two."
Lilly Library call number:
PR2010 .A1 Vault
(b) The same. Printed on vellum. (Lacking sig I, four leaves). One of four copies known: British
Museum, Rylands, New York Public Library, and the present—the Greenhill-H. Bradley Martin
copy, through whose courtesy this is exhibited. The only book of the "Grolier Hundred" which was
printed on vellum in its original first edition. The copy in the Grolier exhibit was on vellum
and
must have been the Owen D. Young-Berg copy, now in the New York Public Library.
The present copy has, in several places, the signatures of the original owners, Wylliam and June
Fitzwyllym.
No American publication traced.
6.
RAPHAEL HOLINSHED
The Chronicles of England, Scotland, and Ireland.
(London,
1577).
Folio, two volumes, four parts, full brown crushed levant morocco, by Riviere. 11 ⅜ x 7 ¼
inches. The Lucas Harrison imprint. This copy contains the canceled leaves,
E6-8, in the last
alphabet of Volume I, as well as quire F, which was to have been substituted for it, with
F7
uncanceled. Only a few other copies, Grenville, Copell, and Clawson are known thus. This copy
also contains the genuine blank leaf, pp. 23-24, at the end of the "Description of Scotland,"
and an untrimmed folding plate of the view of Edinburg between pp. 1868 and 1869. The collation
agrees with the Pforzheimer Catalogue, No. 494, except for the placement of the dedication leaves.
The unsigned leaf of errata, present in the Hogan copy, is absent.
Lilly Library call number:
DA130 .H73 v.1-2 Vault
The library also has a copy with the variant imprint of George Bishop and without the
canceled leaves, the imprint shown at the original Grolier exhibit. Copies are also known with the imprints
of John Harrison and John Hunne.
No American publication traced.
7.
WILLIAM BALDWIN,
THOMAS SACKVILLE, AND OTHERS
A Myrroure for Magistrates.
(London,
1559).
(a) Quarto, old calf. 7 ¼ x 5 inches. The Christie-Miller-Chalmers-BritwellClawson-Bemis copy; one
of eight known. According to the Pforzheimer Catalogue, it, Huntington, and this are the only
copies in America.
Lilly Library call number:
PR2199 .M5 Vault
(b) (London,
1563).
Second edition. Quarto, eighteenth-century red morocco, g.e. 7 ⅛ x 4 ⅞ inches. First issue,
Baldwin's editorial address ending at the foot of leaf
A2, recto, the verso being blank, agreeing
with Hayward, English Poetry Catalogue, 15. With the "Contes" and "Faults Escaped"
leaves, cc3-4.
The edition shown at the Grolier Club exhibition was this of
1563. With the bookplate of H. D. Seymour.
Lilly Library call number:
PR2199 .M5 1563 Vault
The Lilly gift also included the editions of
1571-74-75-
78-87 and 1610. There are
eleven contemporary editions of the various parts of this series. The British Museum and Huntington
sets are complete; the Bodleian lacks one; Pforzheimer, two; the present, three.
No American publication traced.
19.
WILLIAM SHAKESPEARE
Comedies, Histories, & Tragedies.
(London,
1623-32-
64-85).
Folios, uniformly bound in full red crushed levant morocco by Pratt. Purchased privately in
1928 by Gabriel Wells from Mrs. Rylands, this is not, as has been previously stated, "a dup1icate
from the John Rylands Library." It has a romantic history between Wells' purchase in
1928 and eventual sale to J. K. Lilly, 1934.
(a) (London,
1623).
The first folio. Laid in it is a letter from the late Seymour De Ricci, reading in part:
The verses, the title and the preliminary leaves [of the 1623 edition] are remargined but no
portion is in facsimile. The lower margin of the last leaf is extended. It compares very
favorably with nearly all others still existing in private hands and is worthy of an honored
place in any library of the first rank.
Although De Ricci's analysis is on the charitable side, this folio (which measures 12
⁷⁄₁₆ x 8 ³⁄₁₆ inches) would rank in Lee's census
(it was unknown to him) as "I, class B" and is in the top rank of university-owned copies.
Lilly Library call number:
PR2751 .A1 Vault
(b) (London,
1632).
Second folio. Smith's "Allot 5" title page and "Effigies C" leaf. Size 13 ⅛ x 8 ³⁄₁₆ inches.
Lilly Library call number:
PR2751 .A2 Vault
(c) (London,
1664).
Third folio. With the seven added plays. Signature "Thomas Powell Peckham 1809" on title page.
Size 12 ⁷⁄₁₆ x 8 ⁷⁄₁₆ inches.
Lilly Library call number:
PR2751 .A3 Vault
(d) (London,
1885).
The fourth folio. "Herringman, Brewster and Bentley" imprint. Size 14 ½ x 9 ¼.
Lilly Library call number:
PR2751 .A4 Vault
The first complete American Shakespeare was Philadelphia, 1795-
96, in eight volumes. The portrait, engraved
by R. Field, has long been claimed the first of Shakespeare done in America. However, a portrait engraving,
unsigned, appears in the Columbian Magazine, March, 1787. The first play of Shakespeare's printed in
America, Boston, 1794, is Twelfth Night. . . with Notes Critical
and Illustrative. Carroll A. Wilson
states, "the notes are most interesting, obviously for a public which knew nothing about Shakespeare,
and
are at times really critical; e.g., at p. 5: 'But when Shakespeare wanted to push on his plot, he was
not
ceremonious with probability.'" Hamlet was also published separately (Boston,
1794) with two variant imprints, priority not established.
27.
EDMUND WALLER
The Workes.
(London,
1645).
Octavo, full original sheep. 6 ⅞ x 3 ⅝ inches. The state with the strip of printer's
ornaments and without the "Imprimature" on the title page. Bemis bookplate.
The copy in the original Grolier exhibit had the "Imprimature" and not the
printer's ornaments on the title page. Wise's copy was the same and he argues (
Ashley Catalogue,
Volume VII, p. 185) for its primacy: "Doubtless the license was withdrawn upon representation
being
made by Waller's friends in London that the work was unauthorized, and the title amended accordingly."
Doubtless this is so, but Wise's guess is not bibliographical evidence, and one can't help wondering
what
he doubtless would have come up with had his copy been the other variant. All commentators, Grolier
list,
De Ricci, Wise, and Hayward, comment on the book's rarity.
Lilly Library call number:
PR3750 .A1 Vault
Poems &c.
(London,
1645).
Octavo, old calf. 6 ½ x 3 ¾ inches. Second issue. The sheets of the original, described
above, with a new title page and the addition of preliminary matter, 'Epistle To my Lady,'
publishers' 'Advertisement to the Reader,' 'The Table' and six new poems added. Britwell-A.
E. Newton-Allerton C. Hickmott bookplates.
Lilly Library call number:
PR3750 .A1 1645b
Poems . . . Printed by a copy of his own hand-writing.
(London,
1645).
Octavo, old calf. 5 ¹¹⁄₁₆ x 3 ⅝ inches. First authorized edition. E. M. Cox-Bemis bookplates.
Copies also exist on large paper. Both copies of the Poems are Robert H. Taylor's and exhibited
by his courtesy.
No American publication traced.
31.
IZAAK WALTON
The Compleat Angler or the Contemplative Man's Recreation.
(London,
1653).
(a) First edition. With the original blank leaves including R4 which is part of the collation.
The musical note on page 216 (usually cropped) is absolutely intact. Peter Oliver, in his
New Chronicle of the Compleat Angler (New York,
1936),
lists variations in the text of the first
edition: "no copy has all . . . nor do we know any copy without some." Of his listed 42
eccentricities, the present copy exhibits 31, including the well-publicized "Contention" for
"Contentment," p. 245, 1. 17. Size 5 ⅝ x 3 ¾ inches.
Lilly Library call number:
SH433 .A1 1653 Vault
(b) (London,
1655).
Second edition. Pforzheimer Catalogue remarks: "long reputed rarer than the first edition but
no one seems to have verified this by actual count." Most, if not all, copies have suffered
some depredations from the guillotine, but in this copy the music has been saved by the
forethought of the original binder who turned the fore-edges in to prevent cropping.
Size 5 ¾ x 3 ⅛ inches.
Lilly Library call number:
SH433 .A1 1655 Vault
(c) (London,
1661).
Third edition. Presentation from the author (unsigned) "For Mrs. Ann King"—but one other
inscribed Angler is recorded. Size 5 ¹³⁄₁₆ x 3 ½ inches.
Lilly Library call number:
SH433 .A1 1661 Vault
(d) (London,
1668).
Fourth edition. This does not bear the Cotton bookplate and seems to have been replaced by
Gilbey to secure a set in uniform original bindings. Size 5 ¹¹⁄₁₆ x 3 ⅝. The fourth edition
in the Ashburnham sale was in a Gosden binding with the Cotton bookplate. This copy is
noticeably less fine compared with the astonishing freshness of the others.
Lilly Library call number:
SH433 .A1 1668
(e) (London,
1676).
Fifth edition. Bound with Charles Cotton's
The Compleat Angler (Part II),
first edition (London, 1676) and
Col. Robert Venable's, The Experienced Angler,
fourth edition (London, 1676).
The three books assembled in one volume with a general title: The Universal Angler, made so by
Three Books on Fishing—which may be bound Together or sold each of them severally. Size
5 ¹³⁄₁₆ x 3 ⅝ inches.
Lilly Library call number:
SH433 .A1 1676 Vault
The matchless and celebrated Cotton-Corser-Ashburnham-Gilbey-Lilly set of all the
editions published during the author's life, all in original bindings. With the bookplate of the Rev.
H. S. Cotton in each volume except the fourth. From him they passed to the Rev. Thomas Corser in 1838
for £56.17s. At Corser's first sale in July, 1868, they figured as Lot 97 and were bought by the
fourth Earl of Ashburnham for £140, the first edition even then being called "the finest copy known."
In the Ashburnham sale of 1898, Arthur H. Gilbey paid the then record price of
£800 for what had become the pedigree set. At his sale in
1940, they were purchased by Scribners and
later sold to Mr. Lilly. The London Times Literary Supplement remarked
(May 4, 1940): "Certain it is that
no finer set, nor any set nearer in condition to the editions as Walton saw them can have survived.—
They have gone to America for £1600 and somebody has bought a great bargain."
There is also exhibited the first American edition (New York and London, Wiley and Putnam, 1847),
two volumes, with separate titles and pagination, bound as one, original cloth, plain edges,
as issued. The Van Winkle-Randall Bibliography of Henry William Herbert
(Portland, Maine, 1936)
lists a large paper copy, uncut, measuring 11 ¹⁄₁₆ x 7 ¼ inches, of which but fifty copies were
done, and also as "noted in an elaborately gilt-tooled cloth binding, all edges gilt and also in
two volumes, wrappers, forming numbers 101 and 102 of Wiley and Putnam's series, 'Library of Choice
Reading.'"
33.
JOHN MILTON
Paradise Lost.
(London,
1667).
(a) Quarto, full original calf. 7 ¹³⁄₁₆ x 5 inches. The first issue, with Milton's name in large
capitals on the title page.
The McMillan-Norton-Breaker copy, in superlative condition. Sold in the Norton sale, November,
1918, Lot 99, for $2000. Purchased by J. K. Lilly from David A. Randall, at their first meeting,
June 1, 1932, for $5,000. In the Seth Terry sale,
December 5, 1935, a copy, Lot 292, in equal,
though not superior, condition (though encased "in covers from wood of a rafter in Milton's house
at Westminster, with brass clasps") brought $17,500, then and still a record for this book.
Lilly Library call number:
PR3560 .A1 Vault
(b) Quarto, full brown morocco. The second issue with Milton's name in small capitals. The
Foote-White-Greenhill-H. Bradley Martin copy through whose courtesy this is exhibited.
Inserted are two engraved portraits of Milton by George Vertue, with autograph
notes. Both notes are reproduced in the
Grolier Club's
Exhibition Commemorative
of the Tercentenary of the Birth of John Milton (New York,
1908), where this copy was exhibited.
Lilly Library call number:
PR3560 .A1 1674
First American edition, two volumes, Philadelphia, 1777.
36.
JOHN LOCKE
An Essay Concerning Humane Understanding.
(London,
1690).
(a) Folio, full original calf. 12 ½ x 7 ½ inches. "SS's" regular on title page. Imprint
"By Eliz. Holt, for Thomas Basset."
Lilly Library call number:
B1290 .L8 1690 Vault
(b) Folio, contemporary half-calf, marbled boards. 12 ¹⁄₁₆ x 6 ⅞ inches. "SS's" inverted;
imprint, a cancel leaf, "For Tho. Basset, and sold by Edw. Mory."
The Pforzheimer Catalogue lists (a) as first issue, and (b) as second, with which we agree.
There are contrary opinions. In any event (b) copies are uncommon. The E. B. Holden copy was at
one time thought to be unique, but there are others, e.g., the W. A. Clark and the British Museum.
The (a) issue was in the original Grolier exhibit, there described as the probable second issue.
Lilly Library call number:
B1290 .L8 1690a
(c)
Abridgement of Locke's . . . Human Understanding.
(Boston,
1794).
The first American edition.
Lilly Library call number:
B1292 1794
41.
DANIEL DEFOE
The Life and Strange Surprizing Adventures of Robinson Crusoe, of York, Mariner.
(London,
1719).
(a)
Octavo, full original paneled calf. 7 ¾ x 4 ½ inches. First issue. Inscribed on the
flyleaf: "Dudley Ward his book January 1st 1719."
The correct title page according to Hutchens, with a colon after "London" in the imprint;
the preface with the catchword "always" on the recto of A
2 and "apyling" for "apply" on the
verso. With the second state readings, "Pilot" and "Portuguese" and the slipped type at the
end of lines 9-12 on page 343.
Together with both issues of the second part, the first with the verso of A
4 of the preface
blank; the second, printed.
A. S. W. Rosenbach said of this set: "No copy like it has been sold at auction in seventy-five
years. This is probably the finest copy in existence." The compiler of
these notes would add that, in his experience with books Dr. R. handled, he invariably meant
such statements when he wrote them.
Lilly Library call number:
PR3403 .A1 Vault
The Original London Post, or Heathcot's Intelligence.
Nos. 125-289, inclusive, Oct. 17, 1719 to Oct. 19, 1720. Lacking No. 257, supplied in facsimile.
(London,
1719-20).
Serial publication, being issued as a leaf of the thrice-weekly Post. "Only three copies are
known: the Grenville copy, in the British Museum, which is very imperfect; my own copy, which
has but one leaf in facsimile (by Harris?); and one which was sold at auction (Lt. Col. Sir
George Holford collection) in Sotheby's, in March, 1928." A. E. Newton,
This Book-Collecting Game. The Newton-Louis H. Silver copy, exhibited by his courtesy.
The first American printing was New York, 1774. A single copy only is known,
according to Winterich.
42.
JONATHAN SWIFT.
Travels Into Several Remote Nations of The World.
(London,
1726).
Octavo, two volumes, original calf. 7 ⁹⁄₁₆ x 4 ½ inches. Small paper copy with the first state
of the portrait, no legend around the oval frame, and the title, "Captain Lemuel Gulliver, of
Redriff Actat suae 58," beneath. In the second (and usual) state this legend is engraved around
the frame with a Latin quotation below. In this copy, Vol. II, G6, Part III,
and E8, Part IV are
cancels. Chapter VII is misnumbered V, page 52, line 1, "but his" is misprinted "buth is"; page
90,
lines 12-13, "conspiricies" and "turbulancy" so misspelled. With the bookplate of The Right Hon.
Henry, Earl of Shannon, "King of the Irish Commons."
Lilly Library call number:
PR3724 .G7 1726 v. 1-2 Vault
Large paper copies, states the Rothschild Catalogue, "were probably issued later
than those on ordinary paper." The Rothschild copy, uncut, measures 9 ⅝ x 7 ⅝ inches.
The first American edition is New York, 1793.
54.
LAURENCE STERNE
A Sentimental Journey Through France and Italy. By Mr. Yorick.
(London,
1768).
(a) 12mo, two volumes, original paneled calf. 7 x 3 ¾ inches. Large paper copy with the list of
Subscribers present and Advertisement leaf inserted.
Lilly Library call number:
PR3714 .S4 1768d Vault
(b) Small paper with the list of Subscribers. 6 ¹⁄₁₆ x 3 ⅜ inches. The edition exhibited at the
original Grolier show.
Lilly Library call number:
PR3714 .S4 1768 v.1-2 Vault
(c) Second Edition, same date.
Lilly Library call number:
PR3714 .S4 1768a v.1-2
(d)
Continued By Eugenius. The Second Edition, corrected, with Additions.
(London,
1769).
Four volumes, original mottled calf. The "Continuation" was by John Hall-Stevenson.
Lilly Library call number:
PR3714 .S4 1768a v.3-4
(e) (n. p.,
1768).
12mo, two volumes in one, stitched, uncut, as issued. 6 ¾ x 3 ¾ inches. The first American
edition, imperfect, but the only copy known in original state and one of only two recorded, the
other being at Harvard. (See John Alden's article referred to in previous note.)
Lilly Library call number:
PR3714 .S4 1768c
(f) (North-America, i.e., Philadelphia,
1770).
12mo, two volumes in one, original marbled boards, calf back. Itself a rarity, this was considered
to be the first American edition until displaced by the above.
Lilly Library call number:
PR3714 .S4 1770
(g) (Worcester, Mass.,
1793).
12mo, two volumes in one, as issued, contemporary calf. Printed by Isaiah Thomas, and his copy,
with his bookplate, engraved by Paul Revere.
Lilly Library call number:
PR3714 .S4 1793
(h) (New York,
Printed for the Booksellers,
1795).
12mo, two volumes in one, contemporary calf, as issued.
"Ornamented with Elegant Engravings," i.e., with ribald illustrations by an anonymous (for
obvious reasons) artist. The first work of this type done in America by at least thirty years.
The
book is understandably scarce.
Lilly Library call number:
PR3714 .S4 1795 Vault
(i) (New York,
1885).
12mo, full and straight-grained morocco, by Mathews. One of four copies done on vellum by De Vinne.
Lilly Library call number:
7-1621
These books are all from the Laurence Sterne collection recently presented to the Lilly
Library by H. Bacon Collamore of West Hartford, Conn.
55.
ALEXANDER HAMILTON,
JOHN JAY, AND
JAMES MADISON
The Federalist: a Collection of Essays Written in Favour of the New Constitution.
(New York,
1788).
(a) Two volumes, 12mo, full mottled calf, gilt-tooled, red and green lettering pieces on backstrip.
Ticket in each volume, "Printed and Bound at Franklin's Head, No. 41, Hanover Square." Thick paper
copy. 6 ½ x 3 ¾ inches.
Lilly Library call number:
JK154 1788 v.1-2 Vault
(b) Two volumes, 12mo, original boards, uncut. Volume I, 6 3/4 x 4 ½ inches; Volume II, 7 ½ x
4 ½ inches, as always. Inscribed "The Gift of Alex Hamilton to Jos. Strong."
(c) The original newspaper appearances of the first thirty-six numbers in The Independent Journal,
The New York Packet, etc. Collected by William Cushing, famed jurist, who (in the absence of Jay, in
England) administered the oath to Washington, at his second inaugural. Exhibited, as is the copy
in
boards, courtesy of Rudy Ruggles.
There has been surprisingly little bibliographical research done on this important
work. It is not known if the thick paper copies were produced for presentation only or were for general
sale. The great copies, Jefferson's (Rudy Ruggles); Hamilton's (Huntington); Washington's (H. Bradley
Martin),
are all of this state. Thick paper copies, despite Whitman Bennett to the contrary, were never issued
in
boards.
Nor is it known why copies in boards, on thinner paper, were issued in two variant sizes. A substantial
"remainder" of Volume II only was uncovered a generation ago, but complete sets in boards are rare.
There are no half titles, but there should be a genuine blank leaf preceding each title. The thin
paper
copies were also issued in calf. In all copies seen by the compiler in any state, page 256 of Volume
II
is misnumbered 156.
59.
RICHARD BRINSLEY SHERIDAN
The School for Scandal.
(Dublin,
1780).
(a) Duodecimo, nineteenth-century half-calf, bound with five other plays. 6 ¼ x 3 ⅜ inches.
First edition.
The letter "B" of DUBLIN in the imprint is reversed and out of alignment and there is the misprint
"Scandel" in the headlines of pp. 19 and 49. The advertisement, leaf H
4, is present. With the
bookplate of Thomas Gaisford.
Lilly Library call number:
PR3392 .C6 1775c Vault
(b) (Dublin,
J. Ewling,
no date).
Octavo, full morocco by Riviere. 8 ³⁄₁₆ x 4 ⅝ inches. Formerly considered the first edition and
so exhibited in the original Grolier show.
Lilly Library call number:
PR3682 .S3 1780a
Both of these editions were pirated and unauthorized (as Sheridan refused to part with
the copyright) and represent a corrupt and inaccurate text, as does the first American edition (Philadelphia,
Bell, 1782). The first authentic text is claimed to be that issued in Dublin in
1799, printed from the
prompt book of the TheatreRoyal which Sheridan had given his sister and which she sold for £100. It
seems likely, however, that the first printing of the authentic text from the Author's manuscript may
be
American (New York, Hugh Gaine, 1786). Only two copies are known of this very rare book, which is not listed
in Ford's Hugh Gaine Bibliography, one in the Library of Congress. The copy exhibited (courtesy Yale
University Library) was listed in Scribner Catalogue 103, Lot 402, as follows:
Printed eleven years before the Theatre-Royal prompt-book saw light, this is indisputably the
earliest version of its authentic text.
There remains the problem of how the text could have been printed in America over a decade before
it appeared abroad. The answer lies in the printed title-page, where it is stated that the
play
is printed from 'a manuscript copy in the possession of John Henry, Esq., joint manager of
the
American company, given him by the Author.'
John Henry (DAB, Vol. VIII, p. 548) was reputed to have trained under Sheridan's father and he
certainly played at Drury Lane while Sheridan himself was manager, and knew him then. So what
more natural than, when coming to America, to get from Sheridan a manuscript of the famous
London
hit, to stage abroad.
That Henry knew the texts being circulated (including the Philadelphia, Bell, 1782, First American
Edition, a reprint of the Dublin pirated editions) were incorrect, witness his advertisement
on
page 5: 'So many spurious copies of The School for Scandal having been obtruded on the Publick,
has induced the Editor to lay before them in its proper garb, this most excellent comedy
presented to him by Richard Brinsley Sheridan, Esq., the justly admired Congreve of the present
times.'
60.
WILLIAM COWPER
Poems.
(London,
1782).
The Task.
(London,
1785).
(a)
Two volumes, original calf. 7 ½ x 5 inches. The Rothschild copy, blue-grey paper bounds, labels,
uncut, measures 8 x 5 ⅛ inches.
With the "Preface" by John Newton in Volume I, found only in a few copies.
Page 162 is misnumbered 161, and 343, 344. E
6 and
I
6 are cancels. Volume I was issued without a half
title;
The Task has a half title reading: "Poems by William Cowper, Esq. Vol.-11."
Lilly Library call number:
PR3380 .A2 1782
(b) (Philadelphia,
1787).
12mo, original calf, complete with the final leaf of advertisements, Bb2.
Lilly Library call number:
PR3382 .T3 1787
64.
THOMAS PAINE
Rights of Man. Being an Answer to Mr. Burke's Attack on the French Revolution.
(London,
Printed for J. Johnson,
1791).
(a) First issue. Octavo, new boards, calf back. 8 ¼ x 4 ⅝ inches. Half title reads: "Price
Half-a-crown." Signature of "Capel Lofft, 1791," who also wrote on Burke's
Reflections.
Lilly Library call number:
JC177 .C1 Vault
(b) (London,
Printed for J. S. Jordan,
1791).
Second issue. Octavo, new mottled calf. 8 ¼ x 4 ⅝ inches. Half title reads: "Price three
shillings." With a two-leaf "Preface to the English Edition" following the dedication leaf.
Lilly Library call number:
JC177 .C11
Johnson, the original publisher, withdrew from the project and turned the sheets over to
J. S. Jordan. About a dozen copies with the original Johnson imprint are known.
The first American edition is Baltimore, 1791.
65.
JAMES BOSWELL
The Life of Samuel Johnson.
(London,
1791).
(a) Quarto, two volumes, original blue-grey boards and paper labels, entirely uncut.
Leaves measure 11 ½ x 9 inches. With all of the seven cancels, Mm4 and
Nn1 in volume I; E3,
Oo4, Qq3, Zz1, and
Eee2 in Volume II, and with all of the textual points, with the second state
reading "give," substituted for "gve," on p. 135, line 10, of Volume I, as described by Pottle
79,
Rothschild 463, and by Herbert Liebert in AN&Q, Vol. I, No. 1
(Sept., 1962). With the bookplates of Harold Murdock.
Lilly Library call number:
PR3533 .B6 1791 v. 1-2 Vault
(b) Quarto, two volumes, contemporary calf. With leaf Qq3, pages 301-02, in Volume II in
uncanceled state. This contains Johnson's ideas of conjugal fidelity. At the time of the A.
Edward Newton sale, 1941, his copy containing it was supposed to be one of two extant, although
four others are now known. The John Fleming copy, through whose courtesy this is exhibited.
The first American edition, Boston, 1807, three volumes, is also the first to
contain an index.
66.
WILLIAM WORDSWORTH AND
SAMUEL TAYLOR COLERIDGE
Lyrical Ballads, With a Few other Poems.
(Bristol,
1798).
(a) 12mo, cloth, roan back. Bound with other works. 6 x 3 ¾ inches. Bookplate of Robert A.
Rockleff. With Coleridge's poem, Lewti, pages 63-67, suppressed before publication and with
the poem listed on the contents leaf. Only four copies have survived thus, British Museum,
New York Public Library, Yale, and Robert H. Taylor through whose courtesy this is exhibited.
(b) (Bristol,
1798).
12mo, contemporary boards, calf back. 6 x 3 ½ inches. Frank J. Hogan bookplate. With Coleridge's
The Nightingale, replacing Lewti and the contents leaf changed accordingly. Nine copies are recorded
thus.
Lilly Library call number:
PR5869 .L93 1798 Vault
(c) (London,
1798).
Original calf. 6 ¼ x 3 ¾ inches. With G1 uncanceled as is correct. The edition in the original
Grolier show. The Ashley copy, with this leaf a cancel, was sophisticated.
Lilly Library call number:
PR5869 .L93 1798a Vault
(d) (Philadelphia,
1802).
Two copies with variant imprints in Volume II.
Lilly Library call number:
PR5869 .L93 1802a
The bibliographical complexities of this book are fully described in Healy's The Cornell
Wordsworth Collection, 1957.
79.
THOMAS CARLYLE
Sartor Resartus. In Three Books. Reprinted for Friends from Frazers Magazine.
(London,
1834).
(a) 8vo, contemporary calf. 8 ⁹⁄₁₆ x 5 ⅞ inches. Inscribed: "To George Moir Esq. from his
friend T. Carlyle." Fifty-eight copies were struck off from the magazine type.
Lilly Library call number:
PR4429 .A1 1834 Vault
(b) (Boston,
1836).
12mo, cloth, 7 ⅜ x 4 ½ inches. First published edition, with (unsigned) preface by Ralph
Waldo Emerson. 500 copies were issued. A presentation copy, "R. W. Emerson to D. Darnon." The
Barrett-University of Virginia copy exhibited by their courtesy. A second edition has a curious
imprint, Boston-PhiladelphiaPittsburgh, 1837. Of 500 copies, 50 were sent to England and sold for
the benefit of Carlyle.
Lilly Library call number:
PR4429 .A1 1836
(c) (London,
1838).
8vo, boards, paper label, uncut. 7 ⅞ x 4 ¾ inches. The first published English edition.
500 copies of these "dingy ill-managed" volumes were issued.
Lilly Library call number:
PR4429 .A1 1838
(d) (London,
1849).
The third London edition, inscribed: "Jane M. Carlyle, First Patroness of this Book, against the
whole world once—thanks so much. T.C. 25 Dec'r, 1848." With the Carlyle bookplate.
Lilly Library call number:
PR4429 .A1 1849 Vault
Carlyle, unable to find a publisher in England, was welcomed in America, while his
friend Emerson had exactly the opposite experience: it took Nature twelve years to achieve a second edition
in America; meanwhile it had several printings in London.
82.
EDGAR ALLAN POE
The Raven and Other Poems. [In Wiley and Putnam's Library of American Books. No. VIII].
(New York,
1845).
(a) 12mo, original buff printed wrappers. 7 ¼ x 5 inches. This is the immaculate copy referred to by
Charles Goodspeed in his Yankee Bookseller, page 211. The back wrapper lists the IXth volume in the
series, W. G. Simm's Views and Reviews, etc. as "Just Ready." With six leaves of ads, the first two
being part of the last signature. These two leaves, the first of "German Romance,'' are duplicated
in the following four leaves. Remaining sheets were later bound with Poe's Tales in cloth. Sheets
were also sent to London and issued, with a cancel title page, dated 1846, in cloth. Sometimes the
half title was preserved in this form; more often it was not. The Raven was never issued separately
by the publisher in America in cloth, nor were any others in this series before Typee, which came
out in both wrappers and cloth in March, 1846.
Lilly Library call number:
PS2609 .A1 1845 Vault
(b)
The Raven.
By—Quarles
[In
The American Review: A Whig Journal.
No. II,
Feb. 1845).].
8vo, original printed wrappers.
Lilly Library call number:
PS2609 .A1 1845a
(c)
The Raven.
By Edgar A. Poe
[In
The New York Evening Mirror,
Jan. 29, 1845].
The poem is here introduced with a famous paragraph beginning: "We are permitted to copy (in
advance of publication) from the 2nd No. of the American Review the following remarkable poem by
Edgar A. Poe."
Lilly Library call number:
PS2602 .N53
There are a number of unresolved problems concerning contemporary printings of The
Raven. When did it actually first appear to the public in print? And why the use of a pseudonym, especially
the one used? And what about the Dedication copy? And (hypothetically) Poe's own imperfect copy? Exactly
what did the Mirror copy from? Hervey Allen in his Israfel (pp. 631-33), says, "Probably from an advance
proof," which seems as likely as anything. But it may have been from the magazine itself; the Mirror says
so in the notice quoted above. And it must be considered that the correction from "wondering" to "startled,"
first word, eleventh stanza, was made in the Mirror but not in the Review as if the latter were already
irrevocably in type. So, unless, as is quite possible, the Review was circulated
before the date assigned to it, as Richard Gimbel claims, it seems that, although it deserves the credit
of first purchasing (for $10) and first printing The Raven, it was in the Mirror that people first read it.
The book is dedicated to "Miss Elizabeth Barrett Barrett." The dedication copy, inscribed "To Miss
Elizabeth Barrett Barrett with the Respects of Edgar A. Poe," appeared in the Wakeman sale, 1924,
Lot 947 and brought $4,200, the highest price in the sale. It was bought by Walter Hill of Chicago
for W. T. H. Howe and is now in the New York Public Library. However, the copy was misdescribed in
the c
atalogue as bound in "original cloth, uncut." As has been stated above, the first edition of The Raven
never appeared, in America, in cloth. Actually it is a copy bound with Tales
(New York, 1845) in cloth,
a usual form in which both were issued sometime after their separate publications.
The Tales was issued in June, and
The Raven in November, of 1845. The date of their conjunctive issuance
is not known, but it is definitely later than The Raven alone. Why Poe did not send Miss Barrett a
dedication copy in wrappers when the work first appeared is an unanswered question. In any event,
no
copy in any state appeared in the Browning sales, and no provenance before Wakeman's is known. It
is
certain, however, that Poe did send Miss Barrett a copy of the Tales and Raven bound together, for the
New York Public Library has her letter of thanks for the dedication, including a sentence, "Then there
is a tale of yours I do not find in this volume."
Also exhibited is the last leaf, page 91, verso blank, containing the famous poem, "To Helen," in its
revised and much superior version which Poe tore out of a copy of the first edition and sent to Helen
Whitman during their brief, violent courtship. Both parties were often alternately or jointly hysterical
during this period. Mrs. Whitman was given to low-cut dresses, enhancing a bosom of which she was
quite
proud. At one time Poe clung to her dress so tightly whilst he pleaded with her as an angel sent to
save
him from perdition that the two were separated with a piece of dress in Poe's hand.
It is conceivable that there is, somewhere, a copy of The Raven, "imperfect, final leaf lacking,"
which was Poe's own! But before a copy is mutilated to produce same, it had better have the torn leaf
matching the jagged edges of the Lilly leaf exactly.
84.
HENRY WADSWORTH LONGFELLOW
Evangeline, a Tale of Acadie.
(Boston,
1847).
(a) 8vo, original brown boards, reinforced cloth backstrip. 7 ¼ x 4 ⅜ inches. Reading "lo,"
page 61, first line. Inscribed: "N. Hawthorne from his friend the Author. November 1, 1847." No
advertisements. With the Bemis bookplate. Hawthorne gave Longfellow the story and plot.
Lilly Library call number:
PS2263 .A1 1847 copy 2 Vault
(b) 8vo, original yellow boards and paper label. 7 ³⁄₁₆ x 4 ¼ inches. Reading "lo," page 61,
first line. Inscribed: "Jas. R. Lowell from his friend the Author. November 1, 1847." No
advertisements.
Lilly Library call number:
PS2263 .A1 1847 copy 3 Vault
(c) 8vo, original yellow boards and paper label. 7 ³⁄₁₆ x 4 ¼ inches. Reading "Long," page 61,
first line. Two leaves of ads dated "Oct. 1, 1847" pasted in the front. Occasionally they are sewn
in. A contemporary presentation copy from James Field, partner in the firm of Ticknor, the publisher,
to Sarah M. Adams, dated Nov. 1st, 1847.
Lilly Library call number:
PS2263 .A1 1847a
The bibliography of Evangeline has probably caused more controversy than any other
American nineteenth-century book with the possible exception of Huck Finn. The description of it in the
Wakeman sale (1924), Lot 682, read: "First issue of the First Edition, with 'Lo' page 61, line 1,
which was changed to 'Long' in later issues." This had been the accepted standard for many years.
The first person I know of to challenge the order of issues was Richard Curle in his Collecting American
First Editions (Indianapolis, 1930), which is dedicated, incidentally, to W. T. H. Howe. It was the late
Carroll A. Wilson, I am morally certain, who urged Curle to his challenge and pointed out the forgeries
which were then current. At any rate, a furor occurred.
Discussing the case later (in his last published article, BSA Papers, Third Quarter,
1947), Wilson states the matter thus:
It did not take much investigation in the early days to show that the Long copies must be the
earliest printed, since the Lo error continued through subsequent editions, but the owners of
Lo
copies—constituting 98 to 99 percent of the first edition—had paid good money for
something now being relegated to a secondary position, and they became noisy about it. [So bitter
did proponents become that an unfortunate and lasting coolness sprung up between Carroll A. Wilson
and that other great American collector of the time, W. T. H. Howe. D.A.R.] Their argument had
two
branches, first, that it was impossible for so glaring an error to have persisted for so many
months,
and, second, that all of Longfellow's early presentations were Lo copies, which clinched the matter.
These are weighty arguments, not to be dismissed lightly.
As so often, in these cases, forgery had got into the matter. Wilson owned two such copies (now in the
Barrett collection), one the Henry W. Poor copy, which had been sold at his sale as genuine.
Now the correction replacing the missing "ng" was not made until the fifth and sixth editions. No other
changes at all were made in the text. The later editions are identical until the seventh. In the early
'30's, largely perhaps through Wilson's influence, "Long" issues became much sought after—the going
price at the time was around $1500—and "Lo" issues became correspondingly depressed. Curle explains
what happened:
What could be more promising for the scoundrel. Let us suppose that he owns a muchbattered "Lo"
first edition, and seeks its improvement. How simple for him, in the process of repair or reconstruction
to remove from his first edition signature 4, containing the "Lo" reading, and substitute for it the
same
signature from the fifth or sixth edition, reading "Long." The books are the same size, and the text
is
identical except at this one point. And, while inserted pages will tell their own story, an inserted
signature, particularly in a repaired book, will defy any but the closest inspection.
And so he could pursue his course undetected, if it were not for the condition of the typefaces.
In the later editions the 'g' of 'Long' is perfect; in the true first issue of the first edition,
as
well as in the proof-sheets which preceded it, that letter has a minute break—probably resulting
from the same defect that so speedily caused these two letters to drop out entirely. And thus
a petty
type-defect, utterly unimportant in itself, would serve the very useful purpose of completely
exposing the swindle.
Of course the forgers sometimes took the fifth and sixth editions and altered or faked the title page.
Whitman Bennett, Practical Guide to American Book Collecting (New York, 1941), says, "Many copies have
been seen with forged title pages; but these can generally be distinguished by failure to reproduce
the tiny diamond in the center of the dash below the name of the author and above the word 'Boston'
on the title page." There are also other things the would-be forger needs to beware of, but they need
not be mentioned here.
Wilson gives a lengthy analysis of all known contemporary presentation copies, including that to
Hawthorne, "the most desirable presentation of all"; to Lowell, "the first Longfellow copy presented
in yellow boards"; and the copy the publisher, Fields, gave Sarah M. Adams (all exhibited here). His
conclusion (giving due credit to Norman L. Dodge, of Goodspeed's, who first made
the suggestion) is that "The copies of the first edition of Evangeline reading 'Long' were the first
printed, but copies reading 'Lo' and 'Long' were published at the same time." That this simple and
correct solution did not appear obvious to the best bibliographical brains of the time who wrangled
for years about it is discouraging, given world conditions as they are.
The first English edition is a 32mo, wrappers, London, H. S. Clarke, 1848, and very scarce, Wilson only
having a rebound copy, now Barrett-University of Virginia through whose courtesy it is exhibited.
85.
ELIZABETH BARRETT BROWNING
Sonnets.
(Reading,
1847).
(a) Octavo, full blue morocco, by Riviere. 6 ⅞ x 4 inches. The famed Wise forgery, which was
exhibited by the Grolier Club as the first edition.
Lilly Library call number:
PR4189 .A1 1880 Vault
(b)
Poems.
(London,
1850).
Octavo, two volumes, original dark-brown cloth (normally blue). 6 ¾ x 3 ⅞ inches. A "New
Edition," or second edition, of the Poems, 1844, but the true first
appearance of the Sonnets from
the Portuguese, in addition to other pieces. Variant, one of three recorded, with the imprint
"Chapman & Hall, 186, Strand," normally "Chapman & Hall, 193, Piccadilly (Late 186, Strand)."
Lilly Library call number:
PR4180 .E50 v.1-2
The status of these variants was discussed on their first announcement by John Carter,
London Times Literary Supplement, May 30, 1936, but whether they are issues or states, the present is
undoubtedly the earlier of the two. Pierpont Morgan has the only recorded presentation copy.
87.
WILLIAM MAKEPEACE THACKERAY
Vanity Fair.
(London,
1847-48).
Octavo, twenty parts in nineteen, original printed wrappers. 9 x 5 ¾ inches. First state text and
wrappers throughout with the following "points" preferred by David A. Randall, at least:
(Vide: BSA, Second Quarter, 1848,
Notes Toward a Correct Collation of Vanity Fair). Part I, page 29 with 19
lines of text, not 20; last four wrappers dated, the final double part, XIX-XX, having "Thos.
Murray," not "T. Murray" in the imprint; fifth line of the printed title page reading: "With
Illustrations on Steel and Wood," not "With Illustrations on Wood and Steel"; and with the dedication
leaf set in small type (the last line measuring 2 ⅛ inches), not large type (the last line
measuring 2 ⁹⁄₁₆ inches). The classic point, "Mr. Pitt, later changed to Sir Pitt, Part XV, page
453," has no bibliographical significance as the reading, "Mr. Pitt," was retained in the second
edition.
Lilly Library call number:
PR5618 .A1 Vault
The first American edition was published in two parts, wrappers (New York, Harper,
1848). Cloth copies were later. It was never issued in America in numbers.
88.
THOMAS BABINGTON MACAULAY, FIRST BARON MACAULAY
The History of England.
(London,
1849-61).
Octavo, five volumes, original purple cloth. 8 ¾ x 5 ¼ inches. Volume I, half title and leaf
of ads, Vv8. Volume II, no half title, leaf Vv8 blank, inserted ten leaves of ads
dated December 5, 1948. Volumes I and II have plain yellow, glazed endpapers.
Volume III, no half title, 24 page
catalogue inserted at end, dated "November, 1855," red endpapers, pasted-down halves having printed
advertisements. Vol. IV, half title, brown endpapers, pasted-down halves having printed
advertisements. Volume V, half title, thirteen leaves of advertisements which are part of the
book,
not inserted, dated "March, 1861," brown endpapers, pasted-down halves having printed advertisements.
Lilly Library call number:
DA435 .M14 v. 1-5
As there seems to be no description readily available, this is given of the Lilly copy
only.
The work was very popular in America, and, by April, 1849, at least four publishers had issued
Volume I, Harpers probably being first. They were severely criticized for changing Macaulay's spelling
to
suit Webster's dictionary.
91.
HARRIET BEECHER STOWE
Uncle Tom's Cabin.
(Boston,
1852).
(a) Octavo, two volumes, original black cloth. 7 ½ x 4 ¾ inches. With the stereotyper's notice on the
copyright page; later editions carry a printer's notice below this, or omit it altogether. Imprint
at foot
of backstrip: "J. P. Jewett & Co" (without a period), as is correct.
The first edition exists in three type bindings: (a) brown or black cloth, all edges plain; (b)
green, red, lavender, blue, and black cloth, four heavy gilt-border rules on front cover, all
edges
gilt; (c) straw-buff paper wrappers. It has been claimed that (b) was a "gift binding" and (c)
issued later than clothbound copies.
This is not so. All were available on publication date, March 15, 1852, as contemporary ads
state: "Paper cover for $1.00; cloth, $1.50; cloth, full gilt, $2.00." Wrappered copies are the
rarest form.
Lilly Library call number:
PS2954 .U5 v. 1-2 Vault
(b)
Shown with The National Era, Washington, D.C., June 1851-
April, 1852, of which Whittier was associate
editor, in which the work was first serialized.
Lilly Library call number:
PS2954 .U499 v. 1-2 Vault
The book was immensely popular in England and, according to Sabin, the first English
edition was by Clarke & Co., and "within twelve months of its first appearance eighteen different London
publishing houses were engaged in supplying the demand."
96.
CHARLES ROBERT DARWIN
On the Origin of Species.
(London,
1859).
(a) Duodecimo, original green cloth. 7 ⅞ x 4 ⅜ inches. Thirty-two-page inserted catalogue
dated, "June, 1859," the binder's ticket of Edmonds & Remnants inside the back cover.
Lilly Library call number:
QH365 .O2 1859 Vault
(b)
On the Tendency of Species to form Varieties; and on the Perpetuation of Varieties and Species
by Natural Means of Selection.
By Charles Darwin and
Alfred Wallace.
[In
Journal of the Proceedings of the Linnean Society.
Vol. III, No. 9,
pp. 45-62].
(London,
1858).
Octavo, original blue printed wrappers. The first printing of the Darwin-Wallace paper. "The first
issue, in blue wrappers, is excessively rare—much more so than a first edition of The Origin of
Species. The second issue, in white wrappers, with minor differences in the wording of the cover title,
is only less rare." —Paul B. Victorius, "A Sketch of The Origin of Species,"
The Colophon, Part 9 (1932). In the Houghton Acquisitions
Report, 1955-56, Professor Jackson announced
the discovery of a true offprint of this classic paper. It bears, on the plain brown wrapper,
in Darwin's hand, "CD & Wallace." Exhibited here through the courtesy
of the Harvard College Libraries. Only the Bern Dibner copy is otherwise known.
Lilly Library call number:
QH365 .O15 1859
The first American edition of The Origin of Species was issued in
January, 1860; a later "Revised Edition" appeared later in the year.